History in Designs:
Idu Mishmi Textiles

Idu (Mishmi) Community
Dibang and Lower Dibang Valley Districts and environs, Arunachal Pradesh, India and Zayü County, Tibet

The focus of this project lies in unravelling the intricate designs within the traditional weaving of the Idu Mishmi community. Delving beyond the aesthetic beauty, the project aims to unveil the historical narratives, myths, taboos, and trading relationships with the Adi and Assamese communities. Additionally, it meticulously documents the step-by-step process of traditional weaving, including the gathering of raw materials.

A pivotal aspect of the project is exploration of the diverse weaves tailored for distinct purposes—be it for males, females, or priests. The investigation extends to the gender roles in weaving, discerning whether the art is predominantly practiced by male or female weavers.

The urgency of this undertaking is underscored by the dwindling numbers of traditional weavers. Each passing day brings the community closer to the point where traditional weaving may become a mere reminiscence. Moreover, the rich history, myths, and taboos interwoven with the practice are at risk of fading into obscurity, given the diminishing number of narrators.